Home > Rich Kids: A History of Shopping Malls in Tehran
Javaad Alipoor & HOME presents

Rich Kids: A History of Shopping Malls in Tehran

★★★★ “A kaleidoscopic 60 minutes that is both fascinating and depressing… In a world where the divide between rich and poor has never been greater, it’s very easy to hate the wealthy… Whilst Rich Kids offers no answers, it raises questions which deserve serious examination.” – Quays Life

★★★★ “A meticulously researched, experimental mixture of live performance and social media… A winning combination that is deliberately overwhelming, delivering a potent political message about entitlement and consumerism. Sets a great example of how to appeal to a younger audience.” – The Play’s The Thing

“Packed full of interesting ideas and ways of looking at the subjects covered… An interesting journey and a brave use of new technologies and audience interaction that fits the subject matter and contributes to an unusual theatrical encounter that’s worth experiencing.” – British Theatre Guide

“[Rich Kids] is a history lesson, a commentary on how contemporary culture is shaped by social media and a stark look at the future should we continue in our consumerist ways – all of this in the space of an hour!” – Nazma Knows

“I knew the production would be unlike anything I had seen before, and I didn’t really know what to expect… Definitely a production that everyone will find something different in… A uniquely experimental show, and refreshing in the new methods and techniques it employed onstage.” – Mancunion

★★★★ “Dazzling, discombobulating and alarming.” – The Guardian

★★★★ “Breaks all the rules of theatre behaviour… I was fascinated by both the subject and the way the show works.” – The Times (behind paywall)

★★★★ “[Javaad] Alipoor and co-performer Peyvand Sadeghian handle the complex technological elements of the show with style and seriousness, while weaving a hugely challenging web of thoughts and ideas about the hyper-connected world we now inhabit.” – The Scotsman

★★★★ “There’s a dazzling amount going on… Densely packed with layers of narrative and meaning.” – Independent

★★★★ “Javaad Alipoor and Kirsty Housley’s explosive, remarkable piece of theatre bombards the senses… Chilling and insightful… It’s witty in places, yet horrifying… As Alipoor and [Peyvand] Sadeghian turn the camera towards the audience, there’s a real sense of culpability, along with the affirming shared experience of theatre.” – The List

“Info-overload? For sure, but perhaps that’s the point.” – Daily Telegraph (behind paywall)

“A compelling experiment… Thrillingly idea-rich, ambitious and formally adventurous.” – The Stage

“An ambitious, sprawling show.” – The Observer

“Alipoor and his co-creator Kirsty Housley are the kind of people who really should be running the country, The White House, or even the world.” – What’s On Stage

“As a theatrical embodiment of excess and confusion, Rich Kids is a sprawling, chaotic masterpiece.” – The Arts Desk

The Scotsman Fringe First Winner

Written by Javaad Alipoor
Co-created by Javaad Alipoor and Kirsty Housley

In 2015 Robert Mugabe’s son, Chatunga, filmed himself pouring a £200 bottle of champagne over the £45,000 watch his father bought him, tagging it on Instagram as #daddyrunsthewholecountry. At the height of the sanctions on Iran, with the middle and working classes choked, Mohammad Hossien Rabbani-Shirazi, the son of a prominent Ayatollah and the grandson of a revolutionary hero, smashed his yellow Porsche Boxer into a kerb at 120 miles per hour killing himself and his girlfriend. His Instagram account went viral: pictures of him drinking and partying at nightclubs in Dubai, Antalya and West London. The gap between the rich and poor is getting bigger and bigger around the world. Social media feeds and accelerates this ever-widening divide. In the global south we see the children of elites and post-colonial dictatorships, flashing cash, dollar signs, Bollinger and infinity pool holidays while people suffer under sanctions and dictatorships.

Rich Kids is a play about entitlement and consumption, about how digital technology is complicit in social apartheid and gentrification, and the human problem of what successful and brutal people do with their coddled and useless children. It’s the sequel to the award-winning The Believers Are But Brothers, and the second part of a trilogy of plays about how digital technology, resentment and fracturing identity is changing the world.

Rich Kids is a Javaad Alipoor and HOME co-production, which is also co-commissioned by The Bush and Theatre in the Mill.