The enquiry into the material of film as film itself was an essential characteristic of the Co-op’s output. These non- and anti-narrative concerns were fundamentally argued by the group’s principal practising theorists Malcolm Le Grice and Peter Gidal. Includes work by: Roger Hammond, Mike Leggett, David Crosswaite, Mike Dunford, Peter Gidal, John Du Cane, Malcolm Le Grice and Gill Eatherley.