Long after his premature death, the impact of Paul Sharits lingers on. The prominent iconoclast and innovator provoked with fast-flickering, pulsating, colourful mosaics. In the mid-sixties Paul Sharits started to explore the potential of the flicker. In the decades that followed, Sharits was strikingly persistent in pursuing the total deconstruction of the parameters of 16mm film into such novel forms as multiple projection installations, frozen film frames caught in-between plexiglass sheets, and ink coloured partitions for abstract films.