Look Who’s Back: The Hollywood Renaissance and the Blacklist

Fri 18 Aug – Thu 7 Sep

Much has been written about the renaissance in Hollywood cinema in the late 1960s and early 1970s. The fact that this is often portrayed as a moment when a younger generation got its chance in the mainstream has meant that the contribution of a previous generation of Hollywood voices, those blacklisted in the 1940s and 1950s in particular, has been overlooked. In fact, the 1960s saw the return to the mainstream of a number of film professionals who had been blacklisted in the anti-communist drive within the Hollywood film industry in the late 1940s and 1950s. During the late 1960s and early 1970s, when America was experiencing social and political upheaval – the fight for civil rights and the anti-war movements – these filmmakers once persecuted for their progressive politics were now more in tune with the times. As a result, they found fresh collaborators in the new American cinema of the period. This strand invites audiences to re-think the contribution of Hollywood’s blacklistees to American cinema in the late 1960s and 1970s. Far from being a spent creative force as they are often represented, these films show that formerly blacklisted directors, actors and screenwriters made a vital contribution to the re-invigorating of cinema in one of American film’s most creative eras.

Curated by Andy Willis, Senior Visiting Curator: Film at HOME.

See below for the full programme of films

Previously in this season

Serpico

Today remembered for Al Pacino’s dynamic central performance as an NYPD cop resisting the corruption all around him, Serpico is a classic film of the…

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Shampoo

Set on the day of the Presidential election in 1968, Shampoo operates as both a sharp critique of the excesses of America in the late…

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M*A*S*H

The film that helped director Robert Altman break through into the mainstream, M*A*S*H captures the meeting of the free-wheeling sentiments of the 1960s counter-culture with…

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Claudine + intro

In an Oscar nominated performance, Diahann Carroll as Claudine, a black working-class mother struggling to make ends meet, offered an antidote to the testosterone driven…

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Uptight + intro

Following the assassination of Dr Martin Luther King, Cleveland’s black community is on a knife-edge, wondering who, if anyone, can be trusted.

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Look Who’s Back: The Hollywood Renaissance and the Blacklist One Hour Intro

Look Who’s Back invites you to re-think the youth-orientated image of the Hollywood renaissance, suggesting that we should not overlook the vital contribution of a…

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Midnight Cowboy

Jon Voight and Dustin Hoffman hustle their way through 1960s New York in this bittersweet classic of New Hollywood which remains the only X-rated film…

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