Noor Afshan Mirza and Brad Butler’s fiction film installation weaves together conspiracy, gangster, noir, politics, crash theory, fantasy and reality into a disrupted narrative and genre exploration that ignites a gender revolution.
Across three chapters with the same characters that all end in a car crash, The Scar tells its story from the position of the female passenger, Yenge. Through her journey, we begin to address corrupt systems that hold power, explore ways to ‘get out’ of the car and begin to imagine an alternative society no longer dominated by patriarchy.
Download The Scar gallery guide here.