Ever since Godzilla stomped on Tokyo in 1954, monsters have been drafted in to sci-fi and horror movies to stand for wider social issues. Parasite director Bong’s aquatic creature-feature is up to something similar – like his Oscar-winner it’s got plenty to say about Korean society while also providing non-stop scares and excitement.
Parasite’s desperate dad Song Kang-ho is on top form here, although it’s Bong’s beast from the deep who steals every scene.
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